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- <text id=90TT2212>
- <link 90TT2626>
- <link 90TT1457>
- <title>
- Aug. 20, 1990: Wizard Of Odd
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Aug. 20, 1990 Showdown
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 63
- Wizard of Odd
- </hdr>
- <body>
- <qt>
- <l>WILD AT HEART</l>
- <l>Written and Directed by David Lynch</l>
- </qt>
- <p> David Lynch is an industry these days. America's most
- distinctive moviemaker had directed just four features
- (Eraserhead, The Elephant Man, Dune and Blue Velvet) in a
- 15-year career, but now he's everywhere. His Twin Peaks brought
- flaming weirdness to prime-time television. He has directed TV
- commercials and a 25-minute music video. This fall he is
- co-producing a documentary series for the Fox network. And
- here's Wild at Heart, another three-ring freak show that won
- the top prize at this year's Cannes Film Festival and serves as
- an entertaining anthology of Lynch oddities.
- </p>
- <p> Wild at Heart begins with the moody Sailor (Nicolas Cage)
- bashing a black man's head into pulp. And Sailor is the good
- guy in this storm-sky fresco of two crazy kids on the run.
- Sailor and his girlfriend Lula (Laura Dern) hightail it to New
- Orleans and Texas, where they encounter fat-lady porn stars and
- a slick psychopath (Willem Dafoe) who loses his head, literally
- and spectacularly, in a bank heist. To Barry Gifford's source
- novel Lynch adds a murder plot, an Elvis impersonation, a few
- torture scenes, a drug cartel, some cockroaches and a happy
- ending complete with deus ex machina. Not to mention frequent
- references to The Wizard of Oz, with which Wild has precisely
- nothing in common.
- </p>
- <p> This handsome, volcanically violent road movie is Lynch's
- first flat-out comedy; he and his ensemble (including Diane
- Ladd and Crispin Glover) work at high pitch and have a swell
- time at it. Wild at Heart is also the first Lynch film in which
- his motives--to hang a haberdashery of bizarre incidents on
- the merest hook of plot--are apparent. You might go, "Ick!"
- but you won't ask, "Huh?" What's lacking is the old sense of
- delicious, disturbing mystery. Wild at Heart reveals a master
- of movie style on his way to becoming a mannerist.
- </p>
- <p>By Richard Corliss.
- </p>
-
- </body>
- </article>
- </text>
-
-